Roseferns’ 106th production, Dudhant Sakor, is a family drama that sheds light on the strained relationships that can exist within Goan families.
It highlights how small acts of kindness — especially towards those in need — can be like sugar in milk, adding sweetness to the lives of others.
ABOUT THE TIATR
The tiatr, Dudhant Sakor, follows the story of a family, led by the father (Roseferns), his son Edwin (Prakash Marathe), a police officer, Edwin’s wife Debbie (Candida), a social worker, and their daughter Ezny (Patricia).
Denver (played by Denver), a trusted associate of Debbie, is portrayed as the villain. His frequent visits to their soon find him giving a lot of attention to Ezny, who has little interest in him.

Debbie harbours deep resentment toward Ezny, and does everything she can to sabotage any marriage proposals that come her way, unable to bear the thought of her having a happy future. In contrast, Ezny’s father remains supportive and always stands by her side.
Eventually, Ezny finds a promising match in Lenny (Ramson), a businessman. However, during one of their meetings in a , Denver arrives disguised as a policeman, intruding and making his presence known. He takes advantage of the situation and sexually assaults Ezny.
Following the traumatic incident, Ezny’s world falls apart. Lenny, too, is shaken and unsure of how to cope with what has happened. Yet, Ezny’s father remains strong, offering unwavering support and holding onto for a brighter future for his daughter.
After the assault and the public shaming Ezny faces on social media, will Lenny still stand by her? And what consequences await Denver? How will Ezny’s story unfold in the end?
Patricia’s subtle performance easily wins the audience’s sympathy, while Denver, a fresh face on the commercial stage, shows great promise in his role as the villain.
BEHIND THE SCENES
As expected, Roseferns stands strong and unwavering as the father, championing justice and truth. He is supported by Prakash, Candida, and Ramson. Patricia’s subtle performance easily wins the audience’s sympathy, while Denver, a fresh face on the commercial stage, shows great promise in his role as the villain.
For some lighthearted comedy, Aurelio, Meena, Lino, Steven, and Juvenile team up, delivering a generous dose of humour. the hilarious comic scene featuring a report card and the promotion hopes that follow.
For the listening pleasure of the audience, Ramson renders the opening song, followed by solos from Rons, Roseferns and Steven. Other songs are rendered by Aurelio and Candida; Rons and Sweety.
One song by Candida, Meena and Patricia focuses on inter-religious issues. A song by Olga and Ramson the ill effects of smoking and drinking.
A political song from Olga receives an encore from the audience. Another song by Aurelio, Meena and Lino, titled Kitem Chol’lam?, also evokes good responses.
For the listening pleasure of the audience, Ramson renders the opening song, followed by solos from Rons, Roseferns and Steven. Other songs are rendered by Aurelio and Candida; Rons and Sweety.
The offstage band, led by Alloy (trumpet) and his talented team – Jayne (saxophone), Ivo (drums), Jamiston (keyboard), and Elvis (bass) – provides excellent music, complementing the singers on stage.
Anthony de Ambaji has assisted with the stage sets, while Saniyo has expertly managed the lighting.
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